Puffys gay bar nyc
Located at the historically well-to-do address of Avenue of the Americas and West 20 th Street in the Flatiron District, The Church of the Holy Communion and Buildings had boasted the cream of New York society in its congregation - including Cornelius Vanderbilt, Jay Gould and John Jacob Astor.
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However, it was when Gatien seized the opportunity of buying one of Manhattan’s sacred architectural aristocrats that the world really sat up and took notice of this intuitively fabulous dreamer. Gatien added further outposts to the Limelight empire in Atlanta and Chicago by converting the former homes of both the Harlequin Dinner Theatre and the magnificent Chicago Historical Society into exquisitely designed super-clubs that made innovative use of their unusual settings. Like all visionaries, Gatien made his dream a reality, by the late 1970s ha had transformed the venue into the Limelight - the first of one of the most avant-garde club chains in history. Having cut his teeth in his native Canada with a country and western bar turned rock club, he arrived in America chasing a dream inspired by a newspaper report about a bankrupt nightclub in Hollywood, Florida. Crowned by the New York Post in his early 1990s heyday as the “King of New York clubs”, this nightlife visionary was at that time owner of the biggest and most influential nightspots in the city - the Palladium, the Tunnel, Club USA and the Limelight.
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The man behind the club, who played foster father to the sheer creative energy of the multiple scenes to which it played host, was Peter Gatien.
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It literally hummed with the electricity flowing from the sense that everyone in that wild church of emancipated hedonism was on the cusp of leaping with simultaneous and euphoric abandon through the looking glass of fame - just being there was celebrity itself. The Limelight spun that riff into a gyrating, vinyl clad, gender-bending, genre-hopping, and rhythm-soaked reality. My new line is “In 15 minutes everybody will be famous”.Īndy Warhol, the god-like genius of pop art who in November 1983 hosted the opening night of the Limelight club in New York, had presciently foreseen the democratization of fame in his now iconic one line manifesto in 1968, later riffing on his own credo out of frustration with its journey into cliché.